{"id":462,"date":"2017-06-27T19:58:13","date_gmt":"2017-06-27T19:58:13","guid":{"rendered":"https:\/\/dev-emergencejounral-english-ucsb-edu-v01.pantheonsite.io\/?page_id=462"},"modified":"2022-11-07T06:03:17","modified_gmt":"2022-11-07T06:03:17","slug":"archive","status":"publish","type":"page","link":"https:\/\/journals.english.ucsb.edu\/index.php\/archive\/","title":{"rendered":"Archive"},"content":{"rendered":"

\"\"<\/a>\n

Introduction to Volume VII<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

The Artist as Outcast: The Role of Power and Politics in Art<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

Our AI Overlord: The Cultural Persistence of Isaac Asimov\u2019s Three Laws of Robotics in Understanding Artificial Intelligence<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

Queering Holmes and Watson: How Observation Transforms Friendship into Love<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

Feeling Forests and Talking Trees: Discovering an Animate Environment through Fantasy<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

Muses, Temptresses, & Mothers: Female Agency, Sexuality, and Transformation in the Works of J.M. Coetzee<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

Applewomen and Sandwichmen: Profession and Identity in Ulysses<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

Queering Satan: The Politics of Sex, Gender, Visibility, and Fear in Paradise Lost<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

\u201cNasty\u201d Women of Western Literature: Empowering Women Against Misogyny by (Re)Claiming Language and Autonomy<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

The “Borderland”: Representing the “Third Realm” of Auschwitz in Literature and Understanding Trauma, Realism, and Modernity in the Concentrationary Universe<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

The House Settling: Race, Housing, and Wealth in the Post-Recession Horror Film<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

Natural Selection to Neo-Darwinism: Societal Confrontations of Evolutionary Biology<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

A World I Never Made: Dualism, Violence, and Sexuality in the Novels George Washington Gom\u00e9z<\/em> and The Autobiography of a Brown Buffalo<\/em><\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

The Modern Zombie and Islamophobia: A Closer Look at Zach Snyder’s Dawn of the Dead<\/em><\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

TechnOphelia: Performance, Patriarchy, and Cyborg Feminism in Science Fiction<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

Decolonizing the Mestizo: Postcolonial Approaches to Latino Identity in Chicano Literature<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

La Petit Mort: Female Vampirism, the Abject, and Sexuality<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

To Feel Friedrich’s Death in Front of His Canvas<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

Empathy, Voyeurism, & the ‘Alien Adversary’: Portrayals of Tragedies in News Media & The Devil of Nanking<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

Time & Hyperreality in Twelve Monkeys<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

Social Disease<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

The Ethics of Representation: Rape, Torture, Genocide<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

Bleak December: Religious Fervor in Edgar Allan Poe’s “The Bells”<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

Probient Festive Misrule of Del Playa Drive, or, Halloween in Isla Vista: An Abbreviated Version<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

Reverse Colonization as a Function of Criminal Atavism in Bram Stoker’s Dracula<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

Facing the Sublime: The Zombie Figure, Climate Change, & the Crisis of Categorization<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

Casual Encounters: Representations of Queer Counterpublics in Andrew Holleran’s Dancer from the Dance and Edmund White’s Chaos<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

Never Let Me Go & the Necropolitics of Biomedical Engineering<\/a><\/h4><\/div><\/div>\n
\"\"<\/a>\n

Defined by a Test Score: America’s Troubling Education System<\/a><\/h4><\/div><\/div><\/div><\/div><\/div> <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/full-width-page.php","meta":[],"_links":{"self":[{"href":"https:\/\/journals.english.ucsb.edu\/index.php\/wp-json\/wp\/v2\/pages\/462"}],"collection":[{"href":"https:\/\/journals.english.ucsb.edu\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/journals.english.ucsb.edu\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/journals.english.ucsb.edu\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/journals.english.ucsb.edu\/index.php\/wp-json\/wp\/v2\/comments?post=462"}],"version-history":[{"count":5,"href":"https:\/\/journals.english.ucsb.edu\/index.php\/wp-json\/wp\/v2\/pages\/462\/revisions"}],"predecessor-version":[{"id":1458,"href":"https:\/\/journals.english.ucsb.edu\/index.php\/wp-json\/wp\/v2\/pages\/462\/revisions\/1458"}],"wp:attachment":[{"href":"https:\/\/journals.english.ucsb.edu\/index.php\/wp-json\/wp\/v2\/media?parent=462"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}